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20-year revival
Ruth and I made a list of the attributes we look for in an Emily Book. A book doesn’t have to have all of these attributes, of course. But all our books have some. We didn’t try to determine why this is what we want from a book. I am okay with not knowing that.
After we made the list we went through it a few times with different books in mind — Inferno, Making Scenes, and Sempre Susan. You can see the initials by the attributes: I, SS, and MS. Inferno has the most.
alcohol
AIDS
heroin
80s
90s
70s
lesbian
sexual awakening
weird sexual awakening
abused, but not victim-y
drugs in general
East Village/NYC
San Francisco
tawdry glamour
poverty
sex, described non-erotically
body horror
academia
mental illness
addiction
non-redemptive story arc
unlikeable protagonist
passes Bechdel test
passes Bechdel test with flying colors
would fail the opposite of the Bechdel test
“new narrative”/blogginess
charged female friendship/mentorship
(bonus: with fucked-up power dynamics)
not giving a fuck
giving a fuck exactly 50% of the time
not giving a fuck about femininity
performative artistic identity
Künstlerroman
sex work
funny
identity issues
formally inventive/messy
impressionistic
performative/collaborative
(there are some other ones but they were all trying to mean something similar but hard to define about “impervious to structural conventions”)
So, yes, I do find it pretty entertaining that the 90s are experiencing their 20-year revival. That everything I was obsessed with in my early twenties, or more bluntly, my life in my early twenties, is now the subject of some cultural interest, particularly from people ten or so years younger than me (I mean of course I’m interested in it, nothing that exciting has happened to me since). It reminds me a little bit of the fascination me and my friends had with the East Village of the early 80s – described by Cookie Mueller and Richard Hell and even Anthony Bourdain – buying heroin out of baskets lowered from tenement windows and all the rest.