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So, Emily Gould is the one who originally tipped me off that Ann Rower was dating Heather Lewis (and she did tag thealternative endingwith #heather lewis).  But I don’t think there’s any contradiction.  In the acknowledgements, Rower says something like, Thanks to Heather for editing every line and even editing herself out of the second half of the book (I don’t have the book in front of me, but I’ll correct it when I get home tonight)

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I should probably reread Lee & Elaine.  Knowing that Ann Rower and Heather Lewis were dating, I assumed Iris was Heather.

The line in the alternate ending, “I still have the card from Steve Ross’s grave I pinched the first time I took Heather to Green River Cemetery.  … That was three years ago,” makes me think that Heather was the girlfriend throughout (since she was writing Notice, which must put it before the publication of The Second Suspect in 1998, and Hannah Wilke died in 1993.

Here’s the line from the acknowledgements: “Most of all, to Heather Lewis, who did everything, from line editing to removing herself from the plot for the sake of the ending,” which I interpreted as meaning that Lewis edited herself out of only the ending, but now I’m not sure.

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Yes, that afterword [to Notice by Allan Gurganus] is creepy.  Anytime an adult thinks it’s OK to say (even if only telepathically" “Aren’t all grownups Hy-po-crites, man!” to a 15-year old, it’s got to be a red flag.

And, I’m not convinced by, “the toxic death-wish implicit in OxyContin” even if in Lewis’s particular case she might have had a death wish.

 

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"All we spoke about and did was drugs. We were burnt, totally. One day in the car we had the ultimate argument. “Maybe we should stop,” I said. The car screeched over to the side of the road and I bumped up against the dash with a thud. We’d been doing 80 mph. “I didn’t mean the car,” I said. “I know what you meant,” he said. “Why do you want to stop?” “To have a baby,” I murmured. It was not true, but I had to say something that sounded corny, sane."
Lee and Elaine by Ann Rower
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"While she was gone I took off my clothes, got into bed, and pulled the sheet up over me. I felt like an idiot, a bride in a Merchant Ivory movie."

Lee and Elaine by Ann Rower

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"Josefina started rolling around in Iris’s bra. She pawed it, sniffing it, got tangled up in it. It must have been very sweaty, a special kind of sweat because she was going ecstatic just as I was. It was funny except for a moment I imagined this cat having a heart attack too. Saw her rolling wildly around in the cup of Iris’s bra, eyes wide, like when Stuart died. It made me nervous. Afraid for what Josefina was seeing now: that somehow she’d give me away. Afraid I’d have to run screaming, naked, hysterical down to call the vet and out onto the street with a dead cat in my cat box, looking for an angry cab on a Saturday afternoon on Soho when the traffic was barely moving, to see if the vet could jump start her heart. And while she was at it, mine. If she died on me now, I’d really be fucked."

Ann Rower, Lee & Elaine

This paragraph is amazing and hilarious.  I love the way she weaves in the super-over-exposed beginning of Howl, and makes it seem both completely natural and completely preposterous.

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