Crushed

May. 2nd, 2016 12:31 pm
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So, I’ve still been thinking about that post from a year ago about how fangirls shouldn’t be so excited about the possibility of Richard Siken writing fanfic.
And from a writing standpoint, I agree. fanfic is its own form, and being a good writer in other areas doesn’t automatically translate into writing good slash. And, yes, there were a lot of not particularly interesting posts recycling the same Siken quotes over and over.
But, still, the post hit me really viscerally.
I found out about Crush through fandom, but what I love about it isn’t really related to fandom. I’ve been working on writing a memoir, and I’ve really been struggling to figure out how to write about all the stupid, out of control shit I did when I was a pup. But Siken does it masterfully, writing with compassion and vivid detail. My boyfriend also died in my early 20s, and my grieving was also full of ghosts. So I basically can’t pick up Crush without crying. And I’ve sent copies to all my friends and told them they have to read it.

And I read the post and the comment thread to be saying that I was wrong to love Crush. That I was wrong to think that a book written by a man could resonate with me. And that I needed to restrict myself to writing by women.
Any time people, especially women of the older generation (I’m 42, so this is now my generation) start policing what women are allowed to squee over, it gets my dander up. I was always the girl who liked the wrong stuff: Jane’s Addiction, Hole, William Burroughs, Velvet Underground and Nico, On the Road, Billie Holiday, Kate Moss, All the worst counterculture assholes and all the tragic junkie women. Plus BDSM, vampire movies, makeup, trashy dresses, getting high, getting fucked, getting fucked by boys. And I always took the criticism, the hdu’s, to heart. I knew I was a bad feminist but that wasn’t enough to make me like the things I was supposed to like. It just pushed me out of feminist spaces, and into actually pretty terrible druggy counterculture spaces, where punk guys thought it was totally legit to pull knives on their girlfriends for shooting dope.
So to make a long story not so long, I’ve got baggage.
I certainly don’t support choice feminism. I would never say that anything a woman chooses to do is feminist. But I do believe that feminists need to allow women some space, to trust us to make choices even if they’re bad choices, without constantly accusing us of stanning for the patriarchy.
In retrospect, the post really wasn’t aimed at me. I don’t follow tags, so I was missing the context, which was an insane level of bullying disguised as ship wank disguised as social justice. But the message of the post itself was, “You love the wrong things.“ And that’s a message that will always rub me the wrong way.

Middlebrow

Feb. 23rd, 2016 05:22 pm
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I’m thinking of the post where someone called Crush (which I love) middlebrow.

I actually find the use of “middlebrow” as (an incredibly dismissive) critique really frustrating. (Though I would make a kind of great book title.)

Implicit in it is the idea that the thing would be cooler if it were actually lowbrow, at which point it could be appreciated ironically, or could be turned into camp, or something.

It is also unfalsifiable. If someone said a book was derivative or formulaic or not taking risks (or whatever it is that middlebrow is supposed to be a shorthand for) you could at least argue the point. I think it may actually mean something like not challenging enough or too easy to like, and I’m still trying to formulate why those are the wrong criticisms.

I also feel like the critique of Crush in particular is a way of saying it appeals too much to young women (I think because Siken is so good at showing a kind of self-destructiveness that is usually coded as feminine).

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I’ve been thinking a lot about that 0.0001% post, and why I felt so hurt by it (before it got turned into the next round of Sherlock fandom wank).


So, I was having a tough week. It would have been Michael’s 41st birthday, and both the anniversary of his death and his birthday are always hard. And it’s getting to the point where I don’t really know how to memorialize him anymore. I cannot imagine what he would have been like at 41. I’m not really what I imagined. And a surprising number of the people we used to get high with are still alive, so maybe, in some alternate universe, he could still be alive. But then I would have had to figure out how to break up with up, because our relationship was so toxic, I can’t imagine either of us figuring out how to adult if we’d still been together.


And I had just started seeing all these posts about Richard Siken, and went looking for his poetry and was blown away by Crush, and I’m not usually a big poetry reader.


For me,Crush is about being young and a big slutty mess. (See also Kate Zambreno’s Green Girl.) And then you throw being queer into the mix, and all the internalized issues about being monstrous and evil, and you basically get my late teens/ early 20s. And this is a time in my life that I have been trying to write about, and it’s really fucking hard. I was a total idiot who put myself in the worst, scariest situations, that at the time seemed perfectly normal. It’s very hard to talk about that time without being super judgey and condescending and over-analytical of a bunch of crap that you couldn’t pay me enough to do now. And Crushcaptures that passion and irrationality. Perfectly.


And all the stuff about dreaming about his dead boyfriend? And how to work through all the unresolved crap with a fucking ghost? I was sitting in my car crying.


And, like, I understand that men get a lot more attention and prestige in publishing than women do, even from women readers, and that basically all of fandom’s brushes with famous people seem to put fandom in an even worse light.


And I make an effort to buy and read work by women and promote them on my main (more literary) Tumblr. A post I made quoting Chris Kraus talking about women’s confessional writing has, like, 200 notes (which, for me, is a lot).


And I’m not convinced that Siken is going to write very good Johnlock. Slash has it’s own tropes and rhythms and pacing, and writing explicit fanfic is very different than writing other genres, and especially poetry, where you can say “the dirtiest thing you know,” and leave it at that.


But I read the 0.0001% comment as saying that my heartfelt squee about an author I had discovered because of the squee of other Tumblr fangirls was evidence of internalized misogyny. And I know that hottest of my hot button issues are always about being a bad feminist and a bad queer women.


I know that it is important to have our biases and blind spots brought out into the light, because without self-awareness, you cannot improve. But also sometimes I just need the space to enjoy the things that give me pleasure.

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"A dark-haired man in a rented bungalow is licking the whiskey
from the back of your wrist.
             He feels nothing,
                    keeps a knife in his pocket,
                                                  peels an apple right in front of you
             while you tramp around a mustard-colored room
in your underwear
                            drinking Dutch beer from a green bottle.
      After everything that was going to happen has happened
you ask only for cab fare home
                    and realize you should have asked for more
                                          because he couldn’t care less, either way."

—Richard Siken, “A Primer For Small Weird Loves” Crush


I don’t want to fall into the trap of thinking that something that happens to women constantly is only relevant when a man articulates it. But (1) Siken does a really amazing job of capturing being young and messed up and basically everything in Crush seems incredibly vivid and true, and (2) reading men’s descriptions of gross men somehow makes it easier to see how “young object of impersonal desire” is a category that exists out there and that’s easy to fall into when you’re just starting out. Something you eventually learn to recognize, so you can steel yourself for the (e.g.) balding math teacher chasing you through the courtyard of a conference hotel demanding you let him give you head, and not feel guilty about rolling your eyes and speed walking to the elevator.

And I’m still thinking about that terrible Emily Yoffe piece (that I promised I wasn’t going to write about anymore) where Carol Tavris says, “Calling all of these kinds of sexual encounters ‘rape’ or ‘sexual assault’ doesn’t teach young women how to learn what they want sexually, let alone how to communicate what they want, or don’t want. It doesn’t teach them to take responsibility for their decisions, for their reluctance to speak up.” And, yes, I had a bunch of terrible sex that wasn’t sexual assault, but was humiliating in ways that seemed outside my control, and that I’m still trying to find a way to articulate
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"You had a bottle of pills, but I wouldn’t let you swallow them.
                 You said Will you love me even more when I’m dead?"

—“I Had a Dream About You” Richard Siken, Crush

I have so much stuff to do. And I left the baby’s carefully packed lunch at home. I’m so exhausted and I think I’m coming down with a cold (or maybe I just forgot to take my Zoloft last night). And, really, the last thing I should be doing is sitting in my car reading poetry and crying.
Tuesday would have been Michael’s 41st birthday. I’m running out of ways to memorialize him. I cannot imagine him getting to 41. I can’t really imagine myself getting to 41 either, if we’d still been together. And I can’t imagine how I could have left. He said he would kill himself. Also, I’d promised to give him my purple jacket.

His mother hated me so much. And blamed me for everything. I hope she’s dead. So, I probably am as bad as she thought I was.

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